This sort of approach miles itself from the play and goes instead into the playwright's biography to look for people, spots and items that appear to be similar to features in the play. And then that claims which the play is actually a picture of these people, locations and issues. In its intense form this is fallacy as it does not consider that playwrights use their very own imagination whenever they write and that they can imagine dubious or even not possible things. http://en.wikipedia.org/wiki/Biographical_fallacy
The Hobbit by Steve Tolkien
This can be a very good example of biographical critique and deeply compares the lives of John Tolkien and his primary character, Bilbo Baggins. http://silmarillion.weebly.com/biographical-criticism.html
Samuel Johnson's Lives of Poets
Samuel Johnson's Lives of the Poets (1779вЂ“81) was your first thorough-going exercise in biographical criticism, the try to relate a writer's background life to his performs. The trend from neoclassicism to romanticism is seen inside the works of William Wordsworth and Samuel Taylor Coleridge, who stressed the importance of emotion and imagination in literature. In his Preface for the Second Copy of the Lyrical Ballads (1800), Wordsworth defined the lyric as " emotion recollected in harmony, " and Coleridge, in the Biographia Literaria (1817), described imagination as " the repetition inside the finite mind of the endless act of creation, " rather than as being a mere mechanised flight of fancy. The radical move in emphasis was further more delineated simply by John Keats in his albhabets and by Percy Bysshe Shelley in his Security of Poems (1821)вЂ”" poets are the unacknowledged legislators on the planet. " Some critics recognized art pertaining to art's reason, with no meaningful strings attached, such as Arthur Symons in The Symbolist Movements in Literary works (1899). Henry James, an important novelist and critic in the...